What you'll learn
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This course includes:
Course content
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01-1.1 STORYTELLING 10113:37
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02-1.2 THE CONCEPT coming up with ideas17:27
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03-1.3 MOODBOARDING visualising your ideas07:51
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04-BONUS - Location checkrecce05:18
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01-2.1 CHOOSE YOUR WEAPON whats in my bag11:54
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01-2.1 CHOOSE YOUR WEAPON whats in my bag02:19
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01-gear-list-videography01:00
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02-2.2 PICK YOUR FOCAL LENGTH it changes more than you think06:15
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03-2.3 MY 7-STEP METHOD the shots that will save EVERY video05:43
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04-2.4 THE 3-POINT METHOD the method that brings every sequence to life13:57
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05-2.5 CONTINUITY make it make sense03:50
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06-2.6 CREATIVE TOOLS cheap and easy02:22
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07-2.7 ALL OF THE METHODS IN ACTION read description00:54
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07-2.7 ALL OF THE METHODS IN ACTION read description05:00
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08-BONUS MENTAL PREPARATION04:00
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01-3.1 EXPOSURE TRIANGLE a quick refresher05:14
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02-3.2 FOCUS SETTINGS the settings you need to follow your subject05:49
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03-3.3 PICTURE PROFILES log cine4 explained ufe0f read description05:59
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03-3.3 PICTURE PROFILES log cine4 explained ufe0f read description05:00
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04-3.4 PICTURE PROFILES set up your camera with me08:35
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04-3.4 PICTURE PROFILES set up your camera with me02:06
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05-3.5 LUTS explained07:52
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05-3.5 LUTS explained01:58
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06-3.6 FRAME RATE FPS why and when to use this04:24
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07-3.7 FRAMER RATE set up your camera with me03:40
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08-camera-settings-checklist05:00
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01-4.1 CAMERA GRIP what are the options02:55
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02-4.2 STABILISER how to use09:36
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03-4.3 HANDHELD CAGE TOP HANDLE how to use04:53
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04-4.4 HANDHELD STRAP how to use04:11
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05-4.5 IN CAMERA TRANSITIONS my all time favorite creative movement hacks06:39
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06-BONUS - set up your stabiliser with me05:11
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01-5.1 DIRECTING TALENT07:18
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02-5.2 TEAM DYNAMICS ON SET how to deal with this and lead a team05:02
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01-6.1 NATURAL LIGHT how to work with any type of natural light10:04
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02-6.2 STUDIO LIGHT 4 ready to use light set ups08:47
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03-6.3 DIY lighting OR working with a professional06:31
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01-7.0 BACKING UP SPOTTING-SELECTING YOUR FOOTAGE22:30
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01-7.0 BACKING UP SPOTTING-SELECTING YOUR FOOTAGE01:14
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01-THE WEDDING FILM06:15
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02-7.1 EVERYTHING YOU NEED TO KNOW ABOUT PREMIERE PRO31:28
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03-7.2 IMPORT EDIT WORKFLOW read description44:43
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03-Una in Paris - A short film by Eva Glasbeek01:40
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03-fav-video-assetscolors01:48
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04-7.3 HORIZONTAL TO VERTICAL how to03:35
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05-7.4 EXPORTCOLOR SETTINGS FOR BEST QUALITY10:02
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05-export-settings-playbook05:00
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05-premiere-saturation-fix01:00
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06-7.5 COLORGRADING MATCHING IN PREMIERE32:50
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06-premiere-saturation-fix01:00
Requirements
- Basic familiarity with cameras, framing, and video file handling is helpful.
- A computer and internet access to follow the training materials.
- A camera setup suitable for solo shooting, even if it is lightweight.
- Interest in creating branded video content or commercial campaign work.
Description
Video Campaign Formula presents a practical system for creating branded video campaigns independently, with an emphasis on planning, execution, and efficient solo production. The course is built around a clear workflow that helps you move from an initial campaign idea to a finished commercial video that is structured for client use. Rather than treating filmmaking as a collection of separate tasks, the learning journey connects concept development, visual planning, production, and finishing into one repeatable method.
The opening stage focuses on understanding how to shape a campaign before picking up the camera. You learn how to define the purpose of the video, identify the type of message a brand needs to communicate, and think through the audience response the campaign is meant to produce. This early planning stage is important because it sets the direction for every later decision. By clarifying the objective first, you can make stronger creative choices and avoid footage that looks polished but does not serve the campaign.
From there, the course moves into idea development and campaign structure. You examine how to turn a loose concept into a usable production plan with a beginning, middle, and end that supports the message. The focus is on practical campaign thinking: what the viewer should notice, what information should be emphasized, and how the visual sequence should guide attention. This stage helps you design content that feels intentional rather than improvised, which is especially valuable when working with limited time, small teams, or solo production conditions.
The production stage explores how to work efficiently with lightweight gear while still producing professional-looking results. You learn how to set up shoots in a way that supports speed, consistency, and control. Instead of depending on a large crew, the method shows how to organize the work so one person can handle direction, camera operation, and visual decision-making without losing quality. This includes thinking through shot selection, scene coverage, and how to capture the essential visuals needed to support the campaign story.
Another major part of the course is the workflow for directing and filming as a solo creator. You develop a process for moving through the shoot with clarity, reducing wasted setup time, and staying focused on the shots that matter most. The course emphasizes operational discipline: knowing what to film, how to prioritize shots, and how to maintain consistency across the entire production. That structure is what makes the system useful for freelance work, where time, budget, and production complexity often need to be balanced carefully.
The finishing stage covers how to take the raw material and shape it into a finished campaign asset. You learn how to organize the footage, assemble a coherent edit, and refine the final delivery so it matches the original campaign intent. The editing process is presented as part of the workflow, not as an isolated technical exercise. That means you are not only learning how to cut footage together, but also how to evaluate whether the final piece communicates clearly, holds together visually, and supports the broader marketing goal.
A key outcome of the course is the ability to work with a repeatable production system. Instead of starting from scratch every time, you build a framework that can be applied to future brand projects. This is valuable for anyone creating commercial content regularly, because the most difficult part of campaign work is often not the filming itself but the coordination of planning, execution, and delivery. By creating a consistent method, you reduce friction and improve the reliability of your results.
The course also places importance on creative confidence. Solo campaign production can feel complicated when you are responsible for both the creative and technical sides of the work. The training helps you approach that challenge in a structured way so you can make decisions faster, stay organized on set, and understand how each production choice affects the final outcome. Over time, that creates a more controlled workflow and a stronger ability to deliver professional campaign videos without unnecessary complexity.
By the end of the learning path, you should be able to think through a campaign from the first idea to the completed video, use a lean production process effectively, and create branded content with a clear commercial purpose. The course is designed to translate videography knowledge into a practical business-ready process that can support independent work with brands and clients.
Who this course is for:
Video Campaign Formula is for videographers, content creators, and freelance filmmakers who want a structured way to produce branded campaign videos on their own. It also suits creative professionals who want to improve their commercial workflow, work more efficiently with limited gear, and deliver polished marketing videos for clients.Instructor
Eva Glasbeek
About Me
I work as a fashion videographer and freelance filmmaker, and my career has been shaped by creating visual content for brands in fast-moving commercial environments. My work has taught me how much clarity matters in production: a strong idea, a practical plan, and a disciplined workflow often make the difference between a project that feels scattered and one that feels coherent.
My approach is rooted in hands-on filmmaking. I pay close attention to how concepts translate into images, how a shoot can stay efficient without losing quality, and how small production decisions affect the final result. I have spent years refining a process that supports solo work, lightweight setups, and real-world brand needs. That experience has influenced how I organize projects and how I think about creative execution.
I value work that is thoughtful, precise, and usable. I am especially interested in systems that help creative work stay manageable without becoming rigid. In practice, that means balancing artistic judgment with production discipline, and keeping the focus on what the video needs to communicate.
My background continues to be shaped by brand-focused filmmaking, visual storytelling, and a practical understanding of how commercial content is planned and delivered. I like working at the intersection of creativity and structure, where ideas become clear visual campaigns and the production process remains grounded in reality.
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