What you'll learn
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This course includes:
Course content
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1. 1. What is a Story21:34
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1. 1._What_is_a_Story_-_Storytelling_Basics__StoryLab05:00
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1. Module_1_PDF05:00
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2. 2. What is a Character The 18 Characters28:39
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2. 2._What_is_a_Character_The_18_Characters_-_Storytelling_Basics__StoryLab05:00
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2. Module_2__What_is_a_Character05:00
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3. 3. What is a Journey The 18 Frameworks35:35
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3. 3._What_is_a_Journey_The_18_Frameworks_-_Storytelling_Basics__StoryLab05:00
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3. Slides__The_18_Frameworks05:00
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4. 4. What is a Transformation16:28
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4. 4._What_is_a_Transformation_-_Storytelling_Basics__StoryLab05:00
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4. What_is_a_Transformation05:00
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5. 5. Emotions08:16
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5. 5._Emotions_-_Storytelling_Basics__StoryLab05:00
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5. 3811b4f41e1645baa559fdb980b17aff01889ef5bff64385b9106493db37d74501:00
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6. 03c52b2c5fe5429a96edfd70993cde767d3bf76b2bba439e9a9f4a3190cc346601:00
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6. 6. Actions makin it rain13:04
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6. 6._Actions_makin_it_rain_-_Storytelling_Basics__StoryLab05:00
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7. 5ef29326d5254fbba7ed8f6a4cf7e3f886879c1356d044fe9e34f34c60e6d54a01:00
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7. 7. The Customer Journey Map06:37
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7. 7._The_Customer_Journey_Map_-_Storytelling_Basics__StoryLab05:00
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7. Customer_Journey_Fillable_Form03:54
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Database01:00
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Its_all_in_the_video_-_StoryLab_Database_Training__StoryLab05:00
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Its all in the video06:20
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Classroom - StoryLab01:00
Requirements
- A basic comfort with speaking about personal, professional, or business experiences.
- Willingness to reflect on past events and explore them through a storytelling lens.
- Access to a computer or notebook to capture, organize, and revise story material.
- Interest in improving communication, presentation, or brand messaging through narrative.
- No prior formal writing or storytelling training is required.
Description
Story Lab is designed as a practical, structured journey into modern storytelling, guiding learners from initial ideas to fully developed narratives they can use in professional, personal, or business settings. The learning path begins with a clear orientation to what effective storytelling is and why it matters across contexts such as conversations, presentations, content creation, and brand communication. Early lessons focus on understanding the difference between raw experience and shaped story, and on recognizing how narrative structure helps audiences follow, remember, and care about what is being shared.
After establishing these foundations, the course moves into a discovery phase in which participants systematically gather material from their lives, work, and creative projects. Through guided exercises, learners explore moments of change, challenge, insight, and decision that can serve as anchors for strong stories. In this stage, emphasis is placed on separating factual chronology from narrative purpose, so that each story is built around a clear point or outcome that supports communication goals.
Once learners have a pool of potential stories, the course introduces a structured framework for organizing them. A multi-part model is presented to help learners define what happens before a key moment, what triggers the shift, how life or business looks after the change, and how scenes and costs add depth and meaning. By working through these steps, learners learn to transform scattered memories or events into coherent narratives with a beginning, middle, and end that align with the intended message.
A dedicated module focuses on mapping personal and professional experiences according to how much they should be shared. Learners practice using visual or conceptual systems to distinguish must-share elements that are central to effective storytelling, private experiences that remain outside the narrative, and buffer elements that help maintain coherence without overexposure. This stage develops judgment about boundaries, enabling participants to tell honest, powerful stories while preserving appropriate privacy.
The course then turns to the craft of shaping stories for different audiences. Learners examine how tone, detail, and pacing shift when telling a story to clients, colleagues, social audiences, or intimate groups. Instruction focuses on choosing concrete details, setting up context efficiently, and highlighting turning points so that listeners understand what is at stake. Participants learn to adapt the same core narrative to multiple environments by adjusting emphasis and language while keeping the underlying structure consistent.
From there, the learning journey addresses how to connect stories to practical communication needs. Participants work through examples of using narrative to explain a service, introduce a project, frame an offer, or position a brand. Lessons cover how stories can illustrate values, demonstrate capability, and help audiences remember key ideas long after a conversation or presentation ends. Learners practice pairing stories with specific outcomes, such as clarifying what they do, differentiating themselves from others, or making an abstract concept feel concrete.
Revision and refinement form the next important phase. Learners return to their drafted stories and apply methods for tightening structure, clarifying the central message, and removing unnecessary distraction. The course demonstrates how small adjustments to opening lines, transitions, and endings can significantly improve engagement. Participants learn to listen for confusion or disconnection and adjust narrative order so that each story feels natural and easy to follow.
Subsequent lessons focus on delivery. Learners explore how to bring stories to life when speaking or recording, including attention to voice, pacing, and emphasis on key moments. Without turning into performance training, the instruction shows how simple techniques such as pausing at turning points, varying energy at critical scenes, and grounding abstract ideas in specific images can make stories more vivid. Learners also consider how to remain present and authentic while using a structured narrative, so that stories feel like real communication rather than memorized scripts.
The course also covers how to document and reuse stories over time. Participants build a personal story library, organizing narratives by theme, context, and purpose. They learn how to annotate their stories with notes on when and how each narrative works best, making it easier to select and adapt stories for future meetings, content pieces, or introductions. This helps transform storytelling from a one-time exercise into an ongoing practice that grows alongside personal and professional development.
Later modules invite learners to experiment with applying their stories across formats, such as written content, audio, video, or live conversation. Guidance is provided on adjusting length, selecting what to include for shorter formats, and expanding for deeper mediums like long-form articles or talks. Participants explore how to keep the core message stable while tailoring structure to the constraints of each channel.
Toward the end of Story Lab, students integrate the skills they have learned into a cohesive storytelling approach. They review the journey from raw experience to mapped material, structured narratives, revised drafts, and intentional delivery. Through capstone exercises, learners assemble several finished stories that reflect their values, highlight their capabilities, or explain their work, and they practice choosing which story best fits a given situation. By completing this process, participants leave with a clear understanding of how to generate new stories in the future, how to organize them, and how to use them effectively whenever communication matters.
Throughout the course, emphasis is placed on practical application, reflective thinking, and repeatable methods rather than formulaic scripts. Story Lab is built to develop confidence and clarity in storytelling, enabling learners to communicate more intentionally, foster connection, and make ideas and experiences more memorable in the settings that matter most to them.
Who this course is for:
Instructor
Caleb Marsh
About Me
I work at the intersection of story, structure, and real-world communication. My background spans creative writing, media work, and helping individuals and teams articulate what matters most to them in language that feels both honest and effective. Over the years I have spent a great deal of time experimenting with different ways of turning raw experience into narrative, whether that is a single pivotal moment or a long arc of change. That experimentation has shaped how I think about story as a practical tool rather than something reserved for artists or performers.
I pay close attention to how people talk about themselves and their work, and I am especially interested in the gap between what they intend to say and what others actually hear. A lot of my own learning has come from bridging that gap in my personal projects, refining stories again and again until they carry the meaning and nuance I care about. Along the way I have explored frameworks from multiple disciplines, adapting them into simple, usable processes that fit everyday communication.
My approach is grounded, reflective, and iterative. I value clarity over cleverness and depth over spectacle, and I am continually looking for ways to help stories feel more aligned with the person telling them. I tend to think in terms of systems, mapping out how ideas connect and how one moment leads to another, so that a narrative makes sense from start to finish. At the same time, I believe story is deeply personal, and I try to honor the emotional weight and complexity of lived experience while shaping it into something that can be shared.
In my own work, I keep returning to the question of how narrative can support agency: how telling a story differently can change the way a person sees themselves, their choices, and their possibilities. That question guides the way I design tools, frameworks, and practices for storytelling, and it continues to shape my ongoing exploration of how story works in everyday life.
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